Consciously experimenting the question of how to be contemporary, while reserving a certain distance from the contemporariness.
This in-and-out relationship with the present and with realities is condensed in the concept of the sill, which symbolizes a two-faceted screen that defines but at the same time ties diverse worlds, that filters but at the same time meshes the interior with the exterior, the general with the particular, creating onethrough the other, within the context of their evolutive differences and oppositions.